Canon XF300 on the way for review. Questions? Tests? [UPDATE] It’s here.

Canon says that the Canon XF300 Professional Camcorder is on it’s way to me for test & review. This camera features 50Mbps MPEG-2 4:2:2 recording to Compact Flash (CF) Cards. This high data rate should push aside all issue with compression, even though it does use the older MPEG-2 codec as opposed to the newer MPEG-4 / H.264 / AVCHD codec that a lot of newer camcorders and cameras use. The advantage to MPEG-2 is that, with a lot less compression, today’s even faster computer should handle it with ease, as opposed to the much more difficult time today’s systems have with AVCHD footage.

Canon’s PowerShot SX-20 IS – review

There’s a lot of buzz about HD video on DSLR’s. What this misses is that HD video is also possible on most every digital still camera made today, with fewer and fewer exceptions.

When Canon upgraded their venerable PowerShot S-series, they did it in an odd way, the US got the CCD based SX10 which could not shoot HD video, but the rest of the world received the CMOS-based SX1, which could shoot 1080p30 HD video with stereo audio built in.

After several months, Canon brought the SX1 to the US. But those wishing to avoid the CMOS distortions I easily demonstrated in my earlier review were still left out in the cold, despite cameras lower in Canon’s lineup offering CCD-based HD video. Finally, Canon brought the SX20 to market which adds HD video and more megapixels to the camera. Is it a winner? My hands-on will find out.

Consumer Digital Still HD video shoutout.

If you can get a consumer camera that shoots HD for just a couple hundred bucks, why not load up on the cameras and get multiple angles of an event for next to no cost. Plus, you can move them around easily, perch them in unusual places and you don’t need a half-dozen video camera operators. Sounds great, doesn’t it?

Well, the reality is that the rolling shutter CMOS image distortion in video cameras is just as prevalent in digital still cameras. You can easily see it when you bounce the camera up and down lightly, or pan the camera side to side. Things that you naturally do when you are recording video with the camera in your hands instead of on a tripod. These motions distort the image from what really exists in reality. Camera flashes are partially bad- partially illuminating multiple frames. When you play that back, it looks completely unnatural.

To quantify these CMOS distortions, I secured two brand new digital still cameras that shoot HD video and pitted them side by side in some critical tests and the results clearly demonstrate the difference between CMOS and CCD when it comes to capturing video that faithfully represents what happened.

Is a digital still camera’s “HD Video” for real?

Just in for review and testing are the brand-spankin’ new Canon SX1 IS and the SX200 IS digital still cameras.

Both of these “super zoom” cameras also shoot HD video… BUT the 10 MP SX1 shoots 1080 with a CMOS sensor, the 12 MP SX200 shoots 720p with a CCD. I’ve spoken about “sensor issues” with the imagers in these cameras before. For comparison, I also have a Canon S2 IS  that seems to be about a stop to two stops faster with its larger, 5 MP, SD video, CCD chip. 

Which camera shoots better video… this is what I intend to find out in the coming days.

HD Everywhere?

Well, the 2009 Photo Marketing Association’s annual conference is March 3-5 and it’s expected that most everyone who hasn’t already announced a still camera capable of HD video recording— will at the event. This is not to say that video camcorders are not needed any more. I have already shot video with these new “HD-capable” still cameras… and let me tell all the video camcorders out there: your jobs are secure.

The other shoe to drop recently is the first cell phone to tout HD video recording capability. Personally, I am hoping for about 5 MP of quality pictures, but HD video? I doubt it. The proof will be in the pudding when these things actually ship and the video makes its way onto the web for everyone to critically assess.

Either way, the main problem these devices have, aside from the complete lack of control of “camera” functions while shooting, is video that is plagued with problems…

Focus’ FS-5 looks good!

I have pointed out how outdated Focus Enhancements FireStore line of recorders had become over the years. Initially, revolutionary, they had become quite dated and wickedly expensive for the technology you received.

Now, six months after I compared the FS-4 to a glorious Archos portable video recorder, Focus Enhancements showed off their forthcoming FS-5 which addresses many of the issues I brought up.

Digital Still Camera shoots HDTV.

Actually, this is not news. Numerous digital still cameras can record video, and the latest advancement is that they can shoot HD- usually 720p30 video. I haven’t seen any that shoot 1080p30 or 1080p24 yet, but I suppose it’s only a matter of time. Apparently, according to the review on FreshDV, the Kodak V1233 won’t replace our video camera- not by a long shot. But I look forward to more reviews of HD-capable still cameras.

Flip4Mac Does Grass Valley Infinity – REV or Compact Flash

Panasonic and Sony aren’t the only ones with flash media in their camcorders. Thompson / Grass Valley partnered with Iomega a couple years back to bring us non-tape recording that was far cheaper than comparative products. The Infinity line of camcorders was born.

Now, Flip4Mac brings us the tools (the glue) that lets you “stick” your Infinity footage into Final Cut Pro.

Best HDV Camcorder under $10,000?

That’s the question that was posed to Google a few times and readers ended up here at TechThoughts.org.

The answer is easy. But, like the answer to Life The Universe and Everything is also simple (it’s 42) it is the question that is far, far more difficult. Actually, it’s the same question that would be asked in many instances that can provide the quick answer. What’s the best boat? What’s the best car?

Well, what’s the question that answers “What’s the best camcorder?” …

Panasonic announces 32g P2 for $1650. Oh boy.

Panasonic has announced the availability of the 32GB P2 solid-state memory card (model AJ-P2C032RG) for its popular P2 HD and P2 product line.

Available at a suggested list price of $1,650, the reusable 32GB P2 card provides recording time greater than media for most tape-based and disc-based systems.

Thankfully, they also lowered the price of their 16g P2 card to $900. But…