Apple sure pissed off a lot of Macintosh users when the addressed the key limitation of their MacBook computers- namely the shared graphics processor- when Apple introduced the unibody MacBook… and completely removed the FireWire port. This made the new MacBooks completely unable to import DV or HDV footage from almost every such camcorder and deck on the market because they all do so over one interface: FireWire.
Well, perhaps Apple has actually listened to their customers this time and provided this same powerful graphics capability in their polycarbonate $999 MacBook, which still has FireWire 400.
I have a client who needs thousands of feet of 8mm and Super8 film transferred to DV tape so they can edit their family memories. This is not a service I perform so I thought I’d ask the hundreds of TechThoughts visitors every day where is a good place to do this…
As I watched Apple revise the MacBook line with graphics performance that trounces the integrated Intel graphics, I began to think that the MacBook could well be the mythical mid-range desktop machine we’ve been waiting for- dual core, powerful graphics chipset capable of Dual-link DVI output, all the ports on the “back” & optical drive on the front… Plus the nifty ability to pick it up and take it with you!
No longer hamstrung by the Intel integrated graphics chipsets, this powerful new Mac could be had for just $1299… but there’s one BIG problem… Read more…
Marshall Levy, who wrote our compact flash test results, is finding issues with the lenses that adorn the latest HDV camcorders from Sony- the HVR-Z7U and the HVR-S270. He’s found focusing issues, lens wobble and says the issue was confirmed by Sony.
Do you have one of the new camcorders?
Try out the tests he suggests to help determine if this is an isolated incident or a more widespread issue.
The proverbial “between a rock and a hard place” is basically a tough place to be.
I was corresponding with a fellow videographer who works for a government video department. He tried to explain the troubles he faces with regard to new gear purchases. It’s beyond trying to decide between P2 or SxS. It’s beyond tape or flash media. It’s, well, let’s just say it basically covers the last 20 years of video production- every single day.
It’s Canon’s new Vixia line.
This is the HV30. Look familliar?
It looks a whole lot like the HV20 we’ve already grown to love. But with a slightly higher price, manual exposure, and a black case.
How does it compare, feature by feature with the HV20?
Lets go through the rundown and find out.
In a wonderful commentary article (rant) at High Def Digest, Joshua Zarber takes a moment to put down the hardware and the manuals and speak directly to the “number purists” among us and basically tells us to grow up.