Remember more than two years ago when Apple CEO, Steve Jobs held the Sony’s HVR-FX1 HDV camcorder up on stage and called it “The year of HD.”
Here we are several years later and, mostly because of the protracted “format war” between HD DVD and Blu-ray, we have been left with almost everyone sitting on the proverbial fence.
The war’s over folks. There’s only one direction to go and it’s been picked for us. Read more…
The proverbial “between a rock and a hard place” is basically a tough place to be.
I was corresponding with a fellow videographer who works for a government video department. He tried to explain the troubles he faces with regard to new gear purchases. It’s beyond trying to decide between P2 or SxS. It’s beyond tape or flash media. It’s, well, let’s just say it basically covers the last 20 years of video production- every single day.
In a wonderful commentary article (rant) at High Def Digest, Joshua Zarber takes a moment to put down the hardware and the manuals and speak directly to the “number purists” among us and basically tells us to grow up.
First I have to say that the Zeigfield Theatre in NYC is a beautiful place to watch a film.
Even though the preshow was filled with commercials like your local run-of-the-mill multiplex, the theatre itself is a posh, 1000+ seat, single-screen, elegant viewing room. It is up stairs from the street level and the entire ambiance evokes the feeling of stage theater, as opposed to just the silver screen. The only thing it is missing is a curtain to open up in front of the screen before the main performance. (But then, if the screen was covered, there’d be no commercials… but I digress.)
The previews rolled right into the Ladd Company logo, (the green tree) which I immediately recognized. Then a long pause, and the first concussions of the stellar Vangelis soundtrack and the opening titles, white on black.
I looked carefully at the screen and saw that they were rock solid.
No waviness. No jitter. No odd flicker. Perfect… it was made as well as they could make it…