What does it take to master 11 DVD’s, 4 WMVs, and 3 .mov’s onto one disc? Not a lot. But it does take a thorough of understanding what goes into mastering a DVD and what the shortest distance is between Source and Delivery.
The Dallas Screenwriters Association had gathered more than 12 movies for it’s 2011 Showcase. Add to this some PSA’s and some new media created specifically for this program, and you have the makings for a special challenge. But there’s a way around this potentially tricky multiformat maze that enabled the finished DVD to be delivered in just a couple days- and that includes delays for work on other projects, and the need to create a few new media bits. Read more…
Remember more than two years ago when Apple CEO, Steve Jobs held the Sony’s HVR-FX1 HDV camcorder up on stage and called it “The year of HD.”
Here we are several years later and, mostly because of the protracted “format war” between HD DVD and Blu-ray, we have been left with almost everyone sitting on the proverbial fence.
The war’s over folks. There’s only one direction to go and it’s been picked for us. Read more…
In a wonderful commentary article (rant) at High Def Digest, Joshua Zarber takes a moment to put down the hardware and the manuals and speak directly to the “number purists” among us and basically tells us to grow up.
First I have to say that the Zeigfield Theatre in NYC is a beautiful place to watch a film.
Even though the preshow was filled with commercials like your local run-of-the-mill multiplex, the theatre itself is a posh, 1000+ seat, single-screen, elegant viewing room. It is up stairs from the street level and the entire ambiance evokes the feeling of stage theater, as opposed to just the silver screen. The only thing it is missing is a curtain to open up in front of the screen before the main performance. (But then, if the screen was covered, there’d be no commercials… but I digress.)
The previews rolled right into the Ladd Company logo, (the green tree) which I immediately recognized. Then a long pause, and the first concussions of the stellar Vangelis soundtrack and the opening titles, white on black.
I looked carefully at the screen and saw that they were rock solid.
No waviness. No jitter. No odd flicker. Perfect… it was made as well as they could make it…