When it comes to maximizing your editing efficiencies, especially when it comes to 4K footage, you have to look at two key factors- the recorded size of the footage you are gathering (compact camera original or much higher “production level” data rates) and the specific processes you use when editing. By carefully choosing or adjusting how you do things, you can save thousands upon thousands of dollars, while also ensuring your edit workflow doesn’t get bottled up.
Cost Effective, Compact, Media Wrangling Tools
When it comes to managing your media on location shoots, the tool of choice is typically a laptop. However, laptops can get very expensive quickly, require big external power supplies and bags, and, for simple media management (copying files to a client’s drive) they are overkill. Today’s laptops are also powerful enough do basic grading, editing, and even media conversion and uploading while in the field. But what if you don’t need all of that capability? What if you just need to copy your camera files to an external hard drive for the client to take with them?
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1000 MBps read & 900 MBps write in a non-retina MacBook Pro.
Considering that all the other components (memory capacity, processor speed, bus speed) can be configured nearly identically, just dropping a single OWC 6G SSD into your a 2012 MacBook Pro 15 can boost its performance on par with, or even a little past) the MacBook Pro with Retina Display.
But wait… the MacBook Pro 15” has two drive bays, each capable of running an OWC 6G SSD at full 6Gb/s speeds.
You know where this is going…
Yes, we decided to go all out and put the two drives in a Striped RAID to see how fast we could get.
With this setup, we averaged over 1000MB/s read speeds and write speeds that nearly hit 900MB/s. That completely blows the MacBook Pro with Retina Display out of the water!
OWC SSDs Make 2012 MBP 15″ a Speed Champ | Other World Computing Blog.
Super Hi-Vision makes HDTV look like…
For reasons that really are difficult to fathom, Japanese Broadcaster NHK has announced breakthroughs in what used to be called Ultra High Definition Video. Now Super Hi-Vision is expected to be the “broadcast” standard in Japan by 2015.
Never mind that the human eye actually has a hard time seeing the difference between 1080p and 720p at the normal home viewing distances from today’s screens. Never mind that 4k from camera to screen isn’t yet a reality, even in theatres. Somehow, they see the need to replace our 2 megapixel images with 33 megapixel images.