When it comes to managing your media on location shoots, the tool of choice is typically a laptop. However, laptops can get very expensive quickly, require big external power supplies and bags, and, for simple media management (copying files to a client’s drive) they are overkill. Today’s laptops are also powerful enough do basic grading, editing, and even media conversion and uploading while in the field. But what if you don’t need all of that capability? What if you just need to copy your camera files to an external hard drive for the client to take with them?
Ringlights have been used in still photography for decades, but finding suitable ringlights for video is a bit more challenging because they need to stay lit, and bright, the entire time, without blinding the person in front of the camera. It’s not a fast strobe that goes away, it stays on the entire time. The value of the ringlight is a soft, even fill light that illuminates the face in a way that is very hard to achieve with off-camera lights.
I was loaned a Rosck LitePad Loop which is a Ringlight system designed for DSLRs but with the 15mm rails, it could easily be adapted to any video system. In fact, it’s reliance solely on a 12v source makes it more adaptable to professional setups than the DSLR crowd which are using 7v or 8v batteries for everything. Continue reading “REVIEW: The Rosco LitePad Loop – Ringlight for video”
The large sensor still cameras that also offer video capability are now plentiful and there’s a resurgence in interest in older lenses from still cameras, film cameras, and even security cameras. My research showed that CS lenses use the same screw thread and size as C-mount lenses, but they were designed to be 5mm closer to the sensor. I wanted to see for myself what exactly that differences meant in terms of usability for the GH2. Continue reading “Testing CS-mount lenses on the Panasonic GH2”