I personally like to get a 1 TB drive per client/project and then, when that project is done, or awaiting approval, I pull it out of the dock and put it on the shelf to work on other projects. The advantage of putting the drive in a case, aside from the protection, is that I can put some very big labels with lots of notes about what’s on the drive, which is usually a lot of stuff.
There’s a great article on the Pro Video Coalition about doing critical color grading using the latest generation of “in plane switching” IPS LCD monitors which offer the widest gamut of color and accuracy yet achieved on LCD monitors.
I bring this up because Dell has just announced a 30″ IPS monitor that may well be the de-facto choice for color grading do to its sheer size (as far as computer monitors go) and high resolution for a great price.
You see, whereas “broadcast” monitors cost a hefty premium, say $3000 and up for critical color work, these “consumer” monitors brandish price tags around $1000 and can be calibrated to work for critical color post. Continue reading “Dell UltraSharp U3011 a 30-inch IPS monitor for critical color grading.”
I have been thinking about replacing my aged TiVo box (SD) with an HD version, especially to record HD content off cable and to get Netflix streaming. I was wondering why not a Home Theatre PC (HTPC) and came across this Engadget article that compared TiVo’s latest product: “Premiere” to a properly kitted Windows Media Center HTPC. In the end, each has strengths, and weaknesses. I personally would like a solution that has a built-in audio amplifier so I don’t need yet ANOTHER remote to control THAT. So, for the sake of Simplicity, and the hodge-podge that is the Premiere interface, I may just go with an older TiVo HD. Wait, do they do Netflix? Hmmm, more research is needed.
Well, it’s finally happened. And the expert gurus at Other World Computing are the ones that made it happen, again. Giving Mac users the capabilities and features that our PC brethren have been enjoying for years now- eSATA ports.
Apple’s latest computers have Intel Core i3, i5 and i7 processors. Decent graphics power, and beautiful IPS displays, but seriously lack for fast external disk I/O.
Apple has standardized on the obsoleted FireWire 800, but the rest of the industry has already forgotten about FireWire. They have moved on to eSATA for speeds in the hundreds of MB per second as opposed to FW800’s mere 60 MBps or so. So a Mac user who wanted to use eSATA drives had to have a computer they to which they could add an eSATA card (Mac Pro or 17″ MacBook Pro). But OWC changes that game today. Continue reading “OWC eSATA Upgrade Program for Apple iMac 27″ 2010 Models”
JumpStart LTC generates a Longitudinal Time Code audio signal. It provides a convenient interface for setting dedicated timecode devices (deneke, sound devices, zaxcom, etc).
Many of these devices, as robust as they are, often have no way to manually set the time – and if they do, it usually involves pesky dip switches or something similar. Some start at Hour 0 each time they are powered up with no way to resume a previous timecode. But now there’s a solution for that too! Continue reading “Wanna make some noise? There’s an app for that: Linear Time Code.”
Apple laying off 40 people from the Final Cut Pro software team has been noted on Twitter, but not corroborated anywhere else as I can find.
But if the layoffs are actually true, it begs us to wonder what Apple’s long term dedication is to high-end computers, and professional apps— especially considering that the vast majority of profits come from: iPods, iPhones, iApps, iMacs, iBookstore, iTunes music & TV shows, laptops and soon- iPad.
The Olympics are in many cases, multiple Superbowls or World Cup events being staged at the same time. What does it take to produce all this?
Well, some stats being passed around on the production reveal it’s a huge undertaking, and I’m sure these stats don’t account for everything because those crews that come in always have to retrofit the stuff built out to “make it work right.” Continue reading “Some Olympic stats.”
I’ve been subscribing to the FXguideTV podcasts for a while and I think they are some of the best produced, and FREE, industry-related podcasts I’ve found.You can even see them in full-on 1080 HD as opposed to an SD feed or just 720.
If you have others you’d like to recommend, leave them in the comments!
The big buzz surrounding the NVS2500 is all about three features built into this diminutive, battery operated media storage device:
- the fast SxS transfer to internal hard drive
- the ability to play back professional codecs like XDCAM EX
- the eSATA slot for fast transfer to a computer
I’ve performed some preliminary tests and have some numbers to report. Continue reading “Preview: NEXTO DI’s NVS2500 portable media storage.”
I’ve been working a lot of shoots using flash media and one of the key functions of the “media wrangler” is to dump the flash media to a hard drive (or two) while the shoot continues. Those hard drives are in the field, often connected ot a laptop, and taken from location to location. So drives that are designed for a bit of “handling” are good assets to have.
So then A-Data’s new ruggedized hard drives should be something you look at. It’s not just covered with a bit of rummer (like some other “rugged” hard drives) but it’s mil-spec tested for drop, and even underwater for 30 minutes. Continue reading “A hard drive for mobile video pros.”